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Laszlo Moholy-Nagy: The Art of Light   Oliva Maria Rubio, Vicenzo Vitiello, Hattula Moholy-Nagy

Laszlo Moholy-Nagy: The Art of Light

256 страниц. 2010 год.
An artist and thinker of astounding energy and ability, Laszlo Moholy-Nagy was a true world citizen of the early twentieth century, an ambassador-at-large for Constructivism, Suprematism, Dada and the Bauhaus. He brought the same Constructivist optimism to every medium he tackled, from plexiglass and light sculpture to typography to his photographic experiments in color to his Suprematist canvases, his influential pedagogy at the Bauhaus and at the Institute of Design in Chicago. Moholy-Nagy's concept of the arts as a totality, his pedagogy and his confidence in the new industrial culture that would level distinctions between art and craft led him into all fields of creative production. The ultimate modernist Renaissance man, Moholy-Nagy was prolific in so many realms that his detractors inevitably charged him with dilettantism. This accusation ignores his very real innovations in photography--for example his photograms--and light sculpture, as well as the fact that the artist's aims...
 
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